This artwork reminds me of the work of a great Japanese art brut artist, Yuichiro Ukaï. In both their aesthetic, there is a very impressive boiling of figures that nonetheless seem carefully ordained, linked on what seems to be a rhythmic level even if they don’t share a scene. It is as if creation was to be used by both of them as a way of tidying interior chaos, without betraying its nature when expressing it. In this particular artwork as much as in Ukaï’s, the influence of the commercial world is palpable, showing itself for what it can also be, especially to young people: fantastic, dream-like, almost magical. I would then like to express my sincere congratulations to Susan Te Kahurangi King, and to deeply thank her for putting her inner world in such beautiful forms. I also thank her family for sharing her creation with us on her behalf.