The sky is the limit.
Break through the wall.
Free your creativity.
Continuing our mission to celebrate the exceptional talents of artists with disabilities, the HERALBONY Art Prize will return in 2025 with a reaffirmed commitment. Last year, the Prize received 1,973 artwork submissions by artists representing 28 countries and regions worldwide. Inspired by our inaugural award, we strive to reach higher—because we believe diversity is indeed what forges new values. Your art can overwrite preconceptions of disability and art. Your art can introduce new perspectives to the world. There are no nationality or age restrictions on participation. Here, the focus is your artwork. Through the Prize, we are committed to increasing the social impact of creativity brought by disabled artists as we provide opportunities to showcase one-of-a-kind artworks in support of the long-term success and practice of the artists.
Eligibility
Artists with disabilities who aspire to work
nationally and internationally
Grand Prize
Subject to licensing agreement with HERALBONY
*There will also be separate Jury’s Prizes from the individual juries and
Cooperate Prize from the Sponsor Companies
Application Period
1
Artists with disabilities who wish to pursue careers in art internationally.
(Domestic entrants) Those who can provide a copy of their Shogaisha Techo.
(Overseas entrants) Those who can provide a copy of disability documentation issued by a government organization or medical institution.
*The first-round winners are required to submit a copy of the above document to confirm eligibility.
2
Submissions can be made on behalf of an artist by an affiliated organization, a family member, or a legal guardian.
The following personnel may submit the artwork:
1) The artist;
2) A parent (for artists who are minors);
3) A family member (other than a parent) or other
custodian;
4) An adult guardian;
5) A representative of the welfare facility or other organization to which the artist belongs
3
Open to all professional and amateur artists. There are no age/gender/nationality restrictions.
(1 winner): JPY 3 million
(1 winner per each jury)
(1 winner per Sponsor)
Awards from Sponsors
Corporate Prizes are selected by the corporate sponsors. Corporate Prizes winners will be offered the opportunity to discuss a potential collaboration to negotiate the use of the winning artworks for the sponsor’s service, product, or business.
Winning artworks are deemed to be the subject of a licensing agreement with HERALBONY Co., Ltd.
Katsuhiko Hibino (Japan)
Artist / President of Tokyo University of the Arts
Artist / President of Tokyo University of the Arts
Born in Gifu in 1958, Hibino Katsuhiko began his artistic career in the early 1980s while studying at Tokyo University of the Arts. He garnered major attention for pushing the boundaries of expression by integrating art and media platforms in our society. Since then, Hibino has engaged in a wide range of interdisciplinary activities, both in Japan and abroad, participating in numerous solo and group exhibitions, including the Sydney and Venice Biennales. He has also continued to organize workshops and art projects that utilize the unique characteristics of local spaces. Hibino currently serves as the director of the Museum of Fine Arts, Gifu, and the Contemporary Art Museum, Kumamoto. In addition, he has been involved in educational and research activities at his alma mater, Tokyo University of the Arts, since 1995, and became the school’s president in 2022. In this role, he established the Geijutsu Mirai Kenkyujou (the research field for art of the future), where he continues to explore the possibilities of contemporary art by collaborating with corporations and local governments, and pursuing the idea of “art inspiring a zest for life” through research and practice.
Hiromi Kurosawa (Japan)
Chief Curator at the 21st Century Museum of Contemporary Art, Kanazawa / Advisor of HERALBONY
Chief Curator at the 21st Century Museum of Contemporary Art, Kanazawa / Advisor of HERALBONY
After graduating from Boston University (Massachusetts, U.S.A.), she worked at Art Tower Mito (Ibaraki, Japan) and Sogetsu Museum of Art (Tokyo, Japan) before joining the office for the opening of the 21st Century Museum of Contemporary Art, Kanazawa in 2003. She engaged in the field of planning and installation of architecture and commission work. Since the museum's opening in 2004, she has organized numerous exhibitions. The exhibition features contemporary artists and their works who are active both domestically and internationally, such as Olafur Eliasson, Do Ho Suh, Fiona Tan, and Janet Cardiff & George Bures Miller. She has been involved in planning and selecting museum collections, building school partnerships, and creating educational outreach programs for visitors of all ages. She also became the general curator at City Net Asia (Seoul, Korea) in 2011, at OpenArt (Örebro, Sweden) in 2017, and at Culture City of East Asia (Kanazawa, Japan) in 2018.
©Yuna Yagi
Klaus Mecherlein
(Germany)
Curator and Director, EUWARD Archive and Atelier Augustinum, Augustinum Foundation, Munich
Curator and Director, EUWARD Archive and Atelier Augustinum, Augustinum Foundation, Munich
Klaus Mecherlein is an art historian, exhibition curator, author and university lecturer. He is the inaugurator of EUWARD, the European art award and its international archive. Following his studies in art history, art education and psychology at the University of Munich, he founded and headed the Atelier Augustinum in 1992, a studio community for outsider artists in Munich, and since 2004 became the curator of several exhibitions at Museum Haus der Kunst, Munich. In 2001, he became director of the German Art assistant program (Eucrea) and since 2011 he has been a part-time lecturer at Munich University of Applied Sciences. For ten years, from 2009 to 2019, he has been the chairman of Eucrea Germany E.V. He is the author and co-author of various publications on Outsider Art as well as contemporary art.
©Christian Topp, München
Harriet Salmon
(the United States)
Director of Art Partnerships, Creativity Explored, San Francisco
Director of Art Partnerships, Creativity Explored, San Francisco
Harriet is the Director of Art Partnerships at Creativity Explored in San Francisco, California. She received a BFA from California College of Arts & Crafts in 2001 and an MFA from Yale University in 2006. Prior to joining Creativity Explored, Harriet worked on the editorial staff of Artforum Magazine for over 50 print issues. Previously, she was a fine art fabricator and from her time working in this world, she created and hosts Craftsmanship Podcast, an oral history project that documents the fabrication community. She’s dedicated her time to arts nonprofits, higher education and for the last few years she has been the co-owner of Heroes Gallery, a curatorial project born in New York’sLower East Side that pairs artists with their historical influences.Harriet currently works with and advocates for the artists of Creativity Explored to help fulfill their goals and place their artworks into the contemporary art conversation.
reflect a unique vision or social message cultivated by the artist’s perspectives or experience
utilize a free expression that challenges the conventional norms of art
evoke resonance and new viewpoints
embody diversity and inclusivity while exploring new possibilities for artistic expression.
First Round
Review of submitted information and digital images
A maximum of three artworks per artist will be accepted for submission.
Second Round
Review of the original artwork
Original artworks will be reviewed by the Jury at the screening venue in Tokyo
November 13
Submission period begins
December 30
Submission deadline
Mid-February 2025
1st Round Results announced
First round winners are asked to ship their original artworks for Second-Round judging. The winners will be contacted about the shipping details.
Shipment is accepted between mid-February and mid-March 2025
Shipping Destination: Tokyo, Japan
Shipping cost to Tokyo is to be borne by the applicant.
Early April
2nd Round results announced
Late May
Award ceremony and exhibition
The winning works (Grand Prize, Corporate Prizes, Jury Prizes), as well as works by finalists, will be featured in an exhibition to be held in Tokyo.
The exhibition period is scheduled between late May to mid-June 2025.
Return shipping costs will be covered by the organizer.
The above dates are subject to change without notice. Please check the official website for the latest information.
Please apply for the Prize via the Submission Form on the official website.
A maximum of three artworks per artist will be accepted for submission.
Wednesday, November 13 – Monday, December 30, 2024
*Please submit via the Submission Form by 23:59 on December 30, 2024 (Japan time).
Free
However, first-round winners are asked to pay for the shipping cost of sending the original artwork to Tokyo.
Q
Are there any restrictions on the types of disability?
A
There are no restrictions on the types of disability.
Q
Can I submit artwork generated by AI?
A
Artworks created by AI are not eligible. If an awarded artwork is found to be created by AI, the prize will be revoked and the artist will be required to return the prize money.
Q
What are Corporate Prizes?
A
Corporate Prizes are selected by the companies sponsoring the Prize. Corporate Prize winners will be offered the opportunity to discuss and negotiate a potential collaboration and use of the winning artworks for the sponsor’s service, product, or business.
Q
I am worried about how my condition may be described in the Prize materials.
A
Artist information used for the Prize communication and exhibition will be finalized only after discussing the content with each artist. We will not disclose any information against the artist’s wishes.
For inquiries regarding submission:
HERALBONY Art Prize Office, HERALBONY Co., Ltd.
Business hours: weekdays 10:00am〜7:00pm(JST)
*Closed on weekends, national holidays and Japanese New Year holiday period (Dec 31-Jan 3)
Please reach out if your organization is interested in our sponsorship